Taylor Swift had a surprise for Vogue. She wanted
to take us somewhere she had shown no journalist before. And so it
was, on a muggy afternoon in New York, as the city began to empty
for the long Memorial Day weekend, that I sat in Bubby's - a
homemade-pie-specialising dining institution, defending the
American table and stealing recipes from Grandma" - in Tribeca, and
waited.
Swift's arrival, three minutes later than the time
specified, was without fanfare, though surely everyone must
have noticed her. For starters, she's freakishly tall, standing
well over 6ft in her towering YSL brogue heels, with long, lean
limbs and the tottery gait of a baby giraffe. So was
her look decidedly bold, like a modern-day
Sandra Dee, in a flippy, powder-blue Miu Miu skirt that swung
around mid-thigh and a cream blouse. A tan Tod's Sellas tote
dangled from her wrist. Her bobbed hair was set
in Fifties waves and her mouth painted that quintessential Swiftian
red. "There's something about New York that makes me want to dress
nicely," she explained of her polished appearance.
We scoured the menu and chatted about the upcoming holiday
weekend, Swift scrolling through her phone to find pictures of the
beach outside her eight-bedroom Rhode Island mansion retreat, and
describing preparations for her imminent tour of Asia, the very
last stop on her two-year odyssey with the
colossally successful Red. And how she had just been away
with Karlie Kloss and what a "completely awesome" human being she
is, and how she wanted the chopped chicken salad ("without the
tomatoes"). Was the planned surprise simply that we were going to
share lunch? Did she want to start talking about the new album?
"Oh," she hushed, suddenly aware of neighbouring diners, "maybe we
should just talk about that afterwards, at my house."
Surprise!
A chopped salad (sans tomato) and a short walk back to
hers, and Swift and I stood alone in her newishly acquired
double-storey downtown apartment, a lofty, bright living space she
bought from the film director Peter Jackson. The
property is big, and even though her brother, Austin, who is
currently studying film, lives across the hall, its stillness
chimed loudly of single occupancy. "So," smiled the gracious
hostess. "Do you want the grand tour?"
Swift set off, clopping down a hallway lined with
black-and-white portraits of her "best friends", which were shot by
her on a camera with "fancy filters" and mounted in simple black
frames. Here were Lena Dunham and Jack Antonoff in Rhode Island;
Kloss in Big Sur; her "perfect tourmate" and fellow musician Ed
Sheeran goofing around; and Britney, a friend from way back when
Swift was a countryloving outcast in Pennsylvania, singing the
national anthem at local ball games, wearing cowboy boots and an
awkward smile. Britney now works in insurance; another friend is a
swimming instructor. Is it possible to stay close when your lives
have taken such different roads? "Of course,"
Swift shrugged. "We don't talk about our careers. We just talk
about girl stuff."
The decorative mood chez T-Swizzle was American Classic -
super-sized and supercomfortable, with lots of
wood, deep, velvety dark armchairs, a pool table and a Steinway
grand piano lined with Polaroids from a recent house party. It also
featured lots of nooks in which to showcase all those
Grammy awards (seven), American Music awards (15), Billboard
awards (12) and Country Music Association awards
(11). (Swift was also the first woman, and only the second person,
to be awarded the Country Music Association
Pinnacle Award, but I couldn't identify it in situ.) Swift's a proud homemaker - which is just as well because
she has three of them (in addition to the beach house, there is a
place in Nashville). "I love shopping for furniture," she said,
leading me from one immaculately cosy room to the next, each
burning a fug of Jo Malone's Pomegranate Noir and furnished with
fabric-covered letters bearing the initials TS - lest we forgot
where we were. "I got these at Liberty," she said, showing off two
flower-patterned armchairs she picked up the last
time she was in Britain. "And I got that at Anthropologie."
She motioned towards a French antique-style bed in one of the guest
rooms. A treasured memento hung over its headboard, a signed Oscar
de la Renta sketch of the Met Ball gown she wore last spring: "the
most beautiful dress I ever wore". Beside the bed hung a rail of
vintage Victorian nightwear: "I keep it so that when my girlfriends
come over, we can all dress up," she explained. If Swift were to
give up music, she has a fabulous future in the hospitality
industry: the other guest room boasted an in-built snack unit -
bountifully stocked with midnight-feasting fare. "I was thinking,
when people come to stay, it would be cool if they had their own
mini-bar. Like you have in a hotel."
In the kitchen - huge, white and lined with glass-fronted
cupboards boasting all manner of baking-related paraphernalia and
decorative enamelware - her cat Meredith slunk around a sink set
within a huge, marble-topped workstation. Meredith, named after
Meredith Grey from Grey's Anatomy (and who has since been
joined by a new kitten, Olivia Benson, named after the lead in
Law and Order: SVU), is an aquaphile. "She's obsessed,"
explained Swift, turning on the tap to emit a trickle of running
water, which the cat greedily started lapping.
"She'd do that for hours," said Swift, transfixed. "It's her
favourite thing." As we exited, I felt a mild alarm about who would
switch off the running water, or snuff the many burning
candles. But, just as an invisible detail of
security emerged when we left the restaurant to protect Swift from
"crazy fans who want to tie me up in their basement", I imagine
there exists a similarly protective domestic guard to prevent
flooding and house fires. Up the stairs, through her bedroom (grown-up pink tones,
floral bedspread, a copy of Z: A Novel of Zelda Fitzgerald
by the bed, partially read but much admired), and we stepped on to
a roof terrace, decked in wood and bearing signs of horticultural
promise. "I put these herbs in last week," said Swift waving
towards a few pots, "but I think I've killed
them." Then she busied away, setting up a small encampment of
cushions and blankets on which to chat more. She kicked off her
shoes and hugged a cushion to her chest, a gesture so comfortably
familiar and sorority-cute I half expected her to offer me a pair
of vintage pyjamas and start painting my nails. But this is the essence of Swift's magic. She may be 24,
and one of most successful recording artists in the world, and live
an exceptionally gilded existence, and have a slew of celebrity
exes, and a career that she set upon at the ludicrously precocious
age of nine, but she's never stopped seeming
like the very best girlfriend you could ever have - a girl
next door, BFF, older sister and agony aunt all rolled into one.
And even if being sisterly and charming and cake-baking is part of
an elaborately staged act, she's mind-blowingly good at
it. Whenever I've met her she's been nothing other
than genuinely warm and sweet.
Alexa
Chung
"She seems like one of the girls - if the girls were
multi-Grammy-winning multimillionaires under the age of 25," Alexa
Chung told me. "Whenever I've met her she's been
nothing other than genuinely warm and sweet". At the Met Ball, when
other women were clawing their way to the front of the queue for
Rihanna's afterparty, Swift started a counter campaign, inviting
girls she met in the bathroom to her house for a pizza party. I
chose Rihanna's shindig and spent the entire night wondering what
kind of heartbreak chat I was missing out on at the other
do." Credit to Vogue.
To be continued...
No comments:
Post a Comment